Movies
Posted on Wed, Dec. 25, 2002Haunting, heartbreaking 'Fence'BY ROBERT W. BUTLER The Kansas City Star Kenneth Branagh plays one of those misguided altruists blinded by their own smothering paternalism.
Review: Rabbit-Proof Fence
"Rabbit-Proof Fence" is a Down Under "Hansel & Gretel" in which the baddie
isn't a wicked witch but rather anyone in a uniform.
Visually beautiful and emotionally draining, it is not to be missed.
Director Philip Noyce's film tells a story so simple, elemental and
thrilling that it seems to exist in the world of myth rather than in
day-to-day reality. You could almost regard it as a fairy tale or an old
clan story told around a campfire, except that it's true.
For most of the 20th century, the Australian government routinely tore
mixed-blood Aborigine children (usually a result of sex between Aborigine
women and white laborers in the Outback) from their clans and placed them in
group homes where, it was believed, exposure to the white man's ways would
wean them of their "primitive" desires.
The idea was to drill the "blackness" out of them; they would be educated
and take jobs (often as servants in white households), and each generation
of their children would be progressively "whiter."
"Rabbit-Proof Fence" is the true story of three little girls who in the
early 1930s were forcibly snatched from their mother and grandmother and
taken 1,200 miles to a "school" that resembles a concentration camp. There
the children were told to abandon all the traditions they had known as
Aborigines; to learn English, practice Protestantism and take up domestic
crafts.
Rather than succumb to the white man's wishes, the three little girls
escape.
The oldest, 14-year-old Molly (Everlyn Sampi), takes charge. Though they
have no maps or provisions, she leads her 8-year-old sister Daisy (Tianna
Sansbury) and their 10-year-old cousin Gracie (Laura Monaghan) on a trek
that will cross the continent. They will follow the 1,000-mile-long fence
erected years before to keep rabbits from overrunning agricultural land.
(There's no small irony in this; clearly, the Australian government viewed
the nomadic Aborigine as an ungovernable pest.)
These three children will elude trackers and police, survive by their wits
and find assistance from other Aborigines living in - but not necessarily
liking - the white man's world.
Among the children oral communication is largely unnecessary. The girls -
portrayed by first-time actresses who perform with unforced naturalism and
restraint - rely more on their survival instincts than their language
skills.
The one person who talks incessantly in this film is A.O. Neville (Kenneth
Branagh), the bureaucrat behind this policy of government-sponsored
kidnapping and one of those misguided altruists blinded by their own
smothering paternalism.
Director Noyce (best known for Tom Clancy films like "Clear and Present
Danger" and "Patriot Games" and the Aussie thriller "Dead Calm") and
screenwriter Christine Olsen adapted a nonfiction book by Doris Pilkington
Garimara, granddaughter of one of the three girls; in so doing they have
wrought a haunting and heartbreaking minimalist tale.
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